Jonny Owen Interview
I Believe in Miracles is the football film of 2015 — a funky football fairytale reliving Nottingham Forest’s European dominance under Brian Clough. Scott Skinner caught up with director Jonny Owen to discuss, arguably, the greatest British club team of all time and the unforgettable genius of Brian Clough
Scott Skinner: I Believe in Miracles is a wonderful testament of perhaps the greatest achievement in the history of British football. What prompted you to tell this story?
JONNY OWEN: My girlfriend Vicky [McClure] is from Nottingham and we had just finished a film called Svengali. Someone out there had seen it, really liked it and we were talking about The Class of ’92 the Manchester United film and he said to me, “I think there’s a better story in sporting terms about the great Nottingham Forest team that won the European Cup.” And I said to him, “I think that’s the best story in the history of sport.” And he went, “I agree”. And he was a Notts County fan. So, he said, “Look, I’ve got a bit of money to get it started do you want to have a little go?” So I interviewed the first five: John Robertson and all the lads that still lived in Nottingham. I then sent it to Baby Cow and they said they’d give me the money to interview the whole squad. So I finished a rough cut of the film and pitched it and five major distributors came in for it. What people have seen is that it’s a bit different to most documentaries — it’s got a bit more to it — humour, social history, the feel of the times, the soundtrack, all that kind of stuff. The film is a much deeper film than just football — it’s about how a team and a manager can change the course of a provincial, grey industrial city. It’s about how a man and a manager can change people's lives.
SS: It’s a joy to watch footage of the team at its peak, but the film is as much about the characters as it is about the football…
JO: Well, they are so likeable and so endearing. I’m not one of these people that is against modern football, I think football has improved in a lot of ways, but I think everyone would admit that we’ve lost something along the way. I think what we’ve lost is the fact that the players did kind of represent us on the pitch. It’s very difficult to associate with a multi-millionaire kid who’s only 21. The film captures these men that were living among the supporters. They lived in Nottingham and lots of them used to catch the bus with fans to the games. I found a lot of those stories to be fascinating.
SS: It’s clear that even after all these years they are still a team…
JO: I was able to cut all the stories together. You’d start with one player telling the story and cut between four different players all telling the same story. They looked like a team — like a fifteen headed monster. They knew each other so well that they were almost finishing each other’s sentences like an old married couple.
SS: The funk and soul soundtrack is superb and really propels the film along. How did you go about selecting the music?
JO: I remember the day – it was a kind of road to Damascus moment. We had some footage of Garry Birtles scoring the first goal against Liverpool in the European Cup and the colours were bleeding because it was on film. And I said that I always thought soul, funk and disco suited that time because of the Adidas and the shiny shirts and all that. So we played ‘I Believe in Miracles’ by The Jackson Sisters over it and me and the editor Owen Davies looked at each other and went, “Blimey that works don’t it?” And John Robertson’s big Scottish arse worked so well with funk music, I don’t know why that is but it just worked. This little chunky, handsome Glaswegian and you play this funk music and it just works when he’s turning a defender inside out. I think there was a joy in that music and there was a joy in that team and the way they played. That shot when they're jogging on the side of the Trent and I’ve got The Young Rascals playing ‘Groovin'’ and they look like when you’d forgotten your kit at school and you used to break into a cabinet full of oversized shorts and big rugby tops — they’re all wearing kit like that and my missus said to me, that’s when you fall in love with them. And that’s the moment you say I want to be in that football team – I want to be playing for Nottingham Forest under Brian Clough, jogging alongside the Trent. If I could pick any team — and I’m a Cardiff fan – I would want to play in that side because they win everything, they’re out in Nottingham all the time, they're princes of the city, they’re beating everyone in Europe and their manager is Brian Clough – it doesn’t get much better than that does it?
SS: The footage shows what a special football team they were.
JO: They were a great side — they were the seeds of modern football. They were a very possession-based team. They were brilliantly compact in Europe. They had two men up front who were so quick. Football’s a very simple game if you break it down and that’s what Clough said. It’s about keeping the ball, having a sharp attacking edge in the last third of the pitch but also being able to defend. They had every single box ticked. So, first you had to get past Bomber [Ian Bowyer] and John McGovern – destructive midfielders as well as attacking. Then you’d have to get past Larry Lloyd and Kenny Burns. Then when you got past them, you had Peter Shilton, the best goalie in the world. They could score and they could defend, they were creative and they were destructive. Mourinho can park the bus but that team could park a fucking triple decker! For five years that combination of Taylor and Clough together they were just one of the greatest domestic football teams ever. Older football fans will be remembering that team and the younger fans will be going, “Really was it like that? Substitutes felt that strongly that they didn't deserve a medal because they didn’t play in the final even though they played in every game on the way there?” Archie Gemmill and Martin O’Neill didn't want to speak straight away because they didn't play in the final. And I’m going, “You scored goals in quarter finals, you played in semi finals.” I mean, John Terry, bless him, he’s on the pitch in a kit!
SS: And at the heart of it all was the genius Brian Clough. It is crazy to remember just how much of a household name he was…
JO: He was huge. He was an A-List celebrity. He was unapologetic. He had a booming North East accent and he could brilliantly pontificate about the subjects of the day. He had this personality and confidence that would go through sheet metal. I would say he is one of the biggest personalities of the late 20th century in British sport.
SS: And his right-hand man Peter Taylor was also so important to the success…
JO: Peter Taylor was a massive part of it. What they did was work with each other brilliantly. Clough was a brilliant manager on his own, afterwards, but it was a bit like Lennon and McCartney in that respect. You can be Wings and you can be Lennon/Plastic Ono Band and you can be very very good, but together the chemistry was phenomenal and without peer. They took Derby up and won the title, they took Forest up and won the title and the European Cup twice. Together, their record is untouchable.
SS: And as your film shows they built this incredible team in such a short period of time.
JO: It was amazing. And the thing was that almost every single signing they had came off. I’d argue that the 1978/79 season is that Forest team at their peak. Liverpool didn’t play in Europe that year. Forest played around 25 more games than them, because of cups, and they ran them very close to the title. They’d have won it any other year. They won the European Cup, nearly won the title again. I think that squad was the best team that Clough ever had. I tried to concentrate on that time when no one could get near them, not even the great Liverpool team. A little bit has been wiped from history with Forest. I feel sorry for them in that way. They took the biggest ever domestic following to Munich for the final, but you don’t hear that. You don’t hear that they took all those fans. So, the film is about readdressing some history that’s been forgotten.
SS: Was it tough to work out what to include and what to leave out?
JO: Yeah it was. There was 20 hours of interviews. That’s why there’s a book by Danny Taylor [I Believe in Miracles by Daniel Taylor, out 12 November], he’s got all the extra stuff. We’ve got loads of footage that the fans haven’t seen before, as well as the classic stuff. The films have all been restored and look pristine. And I’ve coloured them ever so slightly with a seventies film wash. I’ve even found, just this week, super slow-mo stuff against Everton. As the tape came in the Swedish company said to us, “Oh, there’s a bit extra on that we’ve found, you can have that with it.” So, there’s a shot at the very end of them lot in the most bizarre coloured tracksuits ever walking alongside the Trent and there’s a woman with her shopping walking alongside them — and a fucking dog! I can’t wait for them to see it. It’s the best image you’ll ever see — it’s so far away from modern football, it’s ridiculous.
SS: For a team to be promoted to the top league, win the league then back-to-back European Cups is just unthinkable now…
JO: I think what you had a genius as manager and a genius as assistant caught absolutely in their prime. A perfect storm. A lot of things came together and then they became European champions — it’s almost ridiculous when you think of it. But the more you discuss it in depth you can see that there are two brilliant minds behind it all.
SS: The film is also a welcome reminder of what a special player they had in John Robertson…
JO: The forgotten genius of John Robertson, which I’m really happy that people are finding out about — such a rare, underrated talent. He was their Messi. I was weeks trying to find this photograph of John Robertson crossing the ball in the European Cup Final. Just before it hits Trevor Francis’ head, I found this photograph and John Robertson has got his hands on his hips. I swear this is true, I’m not making this up. He’s got his hands on his hips and he’s watching Trevor Francis’ head hit the ball. He already stopped and composed himself and he’s looking to see where the ball has gone. I’d have fucking fallen over or crashed into the advertising boards.
SS: There’s many other unsung heroes in that side. Like John McGovern, the captain.
JO: McGovern is massively underrated. Imagine now, a Scottish player with two Champions League medals not even getting capped. It’s insane isn’t it. But It shows how strong Scotland were in midfield.
SS: One key to the team’s success was their ability to turn on the attacking flair when needed but also turn in expert defensive displays…
JO: They had guts. You can really see that in the Cologne home game when they were 2-0 down. They came back to 2-1 they came back to 2-2 and then they go to Cologne and win. They had heart as well and thats what set them apart and is why they won European Cups. When it’s absolutely your lowest ebb you find out what you’re made of. Hopefully that team will now get the recognition it deserves.
SS: What’s next for you?
JO: Well I’ve been offered quite a few things off the back of this, but I’ll probably have a holiday and then see what I do next. I might do a drama next, set in industrial Wales around a mining community, which is where I’m from. But i’ll never enjoy a job as much as this ever again. I mean, sifting through seventies footage of football and kicking out funk and soul songs, it doesn't get much better than that.